术语“行书”的详细信息

英译术语:

semi-cursive script

汉语语境:

毛泽东是一位既善于吸收和借鉴传统文化，又善于创新，不断求新求变的人。他的书法艺术融汇了中国传统书法的精华，但又不拘泥于成法，不囿于古人碑帖。他早年学楷书，继而习行书，晚年攻草书。他博采众长，独树一帜，终于孕育出独创一格的“毛体“书法艺术。

英语语境:

MAO Ze-dong is good at learning from traditional culture and innovating for new situations. His calligraphy embodies the essence of traditional Chinese calligraphy, but he was not confined to old rules and his former generations. He began with practicing regular script, and then turned to semi-cursive script, and focused on cursive script in his old age. On the basis of previous styles, he created his unique style:MAO Style.

英译术语:

running script

汉语语境:

颜真卿是我国唐代著名的书法家,在楷书、行书上均取得了极高的成就,苏轼评论颜真卿书法“纳古法于新意之中,生新意于古法之外”。颜真卿行书也获得了不亚于其楷书的好评,对唐以后的行书发展有着非常重要的影响。本文旨对其行书进行全面、系统的梳理、研究。本文分三部分对颜真卿的行书进行研究：第一部分首先简要介绍唐代的书学背景,对颜真卿传世行书作品进行整体的概述、梳理,对其中影响力较大、艺术水平较高的几件作品从书写背景、取法、风格特色、后世评价等方面进行分析。第二部分,着重分析其行书风貌。从用笔、结体、章法、整体风貌等进行详细的分析,并与二王行书作比较,以得出颜体行书的独特的审美特征和创新性所在。第三部分,阐述颜真卿行书在书法史上的地位和对后世的影响,从后世书家的作品中分析出对颜体行书的继承及发展。本人对颜真卿的行书进行梳理,对其行书作品中具有代表性作品进行分析,以期使人能更加全面的了解颜真卿的行书,同时对当代书坛的创作或有益处。

英语语境:

Yan Zhenqing is China’s famous calligrapher in Tang Dynasty, he achieves great success not only in regular script and also in running script. People’s assessment of his running script with high evaluation is not less than his regular script, and also he has a great influence on the later development of running script. The purpose of this thesis is to research his running script comprehensively and deeply. This thesis is divided into three chapters to research Yan Zhenqing’s running script. The first chapter introduces the background of calligraphy in Tang Dynasty, and summarizes his running script generally and analyses his influential running script from the writing background, method, style, later evaluation etc. The second chapter analyzes his running script style from the skills in penmanship, structure, composition, in order to find out the originality and innovation of Yan’s running script. The third chapter introduces Yan Zhenqing’s achievements in running script and his position in the history of calligraphy. Based on the discussion of calligraphic study experience and calligraphy thoughts, this thesis makes a detailed analysis of Yan Zhenqing’s running script. Thus can make a more comprehensive understanding of the Yan Zhenqing’s running script, and it also will be benefit for contemporary calligraphy.