术语“独抒性灵”的详细信息

数据项 Items 术语信息 Info.
汉语术语编号 Term No. 75000036
所属学科 Subject 文学 Literature
汉语术语词性 POS n./v.
汉语术语分词 Segmentation 独/抒/性/灵/
汉语术语长度 Length 4
关联术语表达 Association 不拘格套despite the established criteria not stick to the rules 性灵Xing Ling 明代复古运动"Back to the Ancients" movement in the Ming Dynasty 公安派
搭配信息 Collocation
编纂人 Compiler 王青
编纂日期 Date of Compilation 2015-10-12 00:00:00

汉英语境1


英译术语:

expressing individual temperament


汉语语境:

明清时期,艺术散文理论出现了突破性的进展,其主要表现在以“独抒性灵,不拘格套“为核心的艺术散文理论的确立。“独抒性灵“直接在人的心灵与艺术之间架起了桥梁,强调了散文表现思想感情、观照内宇宙世界的功用。


英语语境:

In time of the Ming and the Qing Dynasty, groundbreaking developments occurred in the theory of artistic prose, which presented itself in the introduction of the theory of artistic prose stressing “expressing individual temperament despite the established criteria”. “Expressing individual temperament” bridges the gap between mind and art, emphasizing the prose's function of representing mind and emotion and describing man's mental world.


汉英语境2


英译术语:

appealing personality and temperament


汉语语境:

理论和实践上均为“公安派”主帅袁中郎之辅翼,是中郎《叙小修诗》所树“独抒性灵,不拘格套”的典范;在“三袁”中享寿最久,辞世最晚,于中郎等人身后总结反思整个流派,是“公安派”之殿军大将;又是晚明文学思想剧变关节性人物。


英语语境:

The most brilliant of the Gongan School Yuan Zhonglang says in his A Preface to Xiaoxiu’s Poetry that Xiaoxiu gave the patterns in his poetry to "appealing personality and temperament, sticking no formalities. ” Yuan Xiaoxiu died long after his brothers, it was due him for having time to have the literary thought of Gongan School generalized, introspected and explained; he was the rearguard of the Gongan School and a key figure of literary thought in the late Ming dynasty.


汉英语境3


英译术语:

self-expressive spirituality


汉语语境:

晚明文学家袁宏道对于后世文学的影响,概括讲是两大主张,一是“独抒性灵”,一是“闲适人生”。前者是一文学主张,后者是一人生态度。在晚明张扬自我、肯定感性的世俗文化背景上,开辟了物我直观交融的感性审美视野。


英语语境:

The literature in the late Ming Dynasty, Yuan Hongdao’s influence on the later literature, generally speaking, is reflected on his two propositions, “the self-expressive spirituality”and “leisurely and comfortable life”. The former is a literary proposition and the latter reflects a life attitude. It opens a perceptual aesthetics perspective of the integration of human inner feelings and the secular world, in the context of the secular culture that expressed self-personality and affirmed the value of perception in the late Ming Dynasty.