术语“行家”的详细信息
| 数据项 Items | 术语信息 Info. |
|---|---|
| 汉语术语编号 Term No. | 76000274 |
| 所属学科 Subject | 艺术学 Art Studies |
| 汉语术语词性 POS | n. |
| 汉语术语分词 Segmentation | 行家/ |
| 汉语术语长度 Length | 1 |
| 关联术语表达 Association | 戾家 |
| 搭配信息 Collocation | |
| 编纂人 Compiler | 赵越 |
| 编纂日期 Date of Compilation | 2016-02-04 00:00:00 |
汉英语境1
英译术语:
expert
汉语语境:
“行家”“利家”是中国绘画史上的重要概念,对中国画体系和框架的界定,直接关系到后人对中国画历史发展和文脉的把握。其作为中国画独特的批评术语,也是构筑中国绘画理论体系的重要组成部分。时至今日,伴随着“行”“利”语境的缺失,当代关于“行家”“利家”的语义解读与其重要性相比仍显得极为不足。
英语语境:
The "Experts" and the "Expert of Wit" are important concepts in the history of Chinese painting.The definition of Guo Hua system and framework defined is directly related to the understanding of the future generation on the histroy and development of Chinese painting.They are Chinese painting criticism terms, and important elements of Chinese painting theoretical system. Today, along with the lack of context for "Experts" and the "Expert of Wit", the semantic interpretation of the two terms are still extremely inadequate.
汉英语境2
英译术语:
connoisseur
汉语语境:
李先生,一直都做小贩,加上他自己诗意的解释。他宣称中国人有几百年饲养蚱蜢的历史,甚至乾隆,一位清朝皇帝,也是斗蜢品种的行家。“人人都喜爱蚱蜢”,他说,“当它们歌唱,你不可抑制地感到快乐。”
英语语境:
Mr. Li, all his lifetime a salesman, added his own poetic interpretation. He declared that the Chinese have been raising grasshoppers for hundreds of years. Even Qianglong, an emperor in the Qing dynasty, was a connoisseur of the fighting variety. "Everyone loves grasshoppers, ” he said. "When they sing, you can’t help but feel happy. ”
汉英语境3
英译术语:
professional
汉语语境:
“戾家”与“行家”是对人们对某一技艺所达程度的称谓,通常讲,以某种技艺为职业、技巧精通熟练、有教授传承的都称之为“行家”,反之叫做“戾家”。“戾家”一词,第一次出现在绘画领域是在钱选与赵孟頫关于“戾家画”的对话中。本论文着重探讨的是中国绘画史中唐、五代、宋、元、明时期的“戾家”与“行家”。纵观此阶段的绘画艺术,参与绘画的群体主要有两类,一类是以绘画之事作为专门职业的群体,包括画院画家、民间画工和寺庙画工,一类是以业余身份参与绘画的文人、士大夫,前者称为“行家”,后者称为“戾家”。
英语语境:
Amateur and professional are appellations. If someone possesses education, professional technical and proficient ability, then he can be called a professional person. Conversely, he is an amateur. Amateur’s painting was firstly appeared in the dialogue about amateur's painting between Zhao Mengfu and Qian Xuan. This thesis is focused on the "amateur" and the "professional" in the history of the Tang, Song, Yuan, Ming and Qing dynasty. In these stages, the painting groups mainly have two kinds, one kind is drawing the painting as an occupation, including the painters who paint for the emperor, the folk painter and the temple’s painter, the other kind is drawing it as a hobby, including the literati, scholar. The former is called "professional", the latter is called "amateur".