术语“三病”的详细信息
| 数据项 Items | 术语信息 Info. |
|---|---|
| 汉语术语编号 Term No. | 76000531 |
| 所属学科 Subject | 艺术学 Art Studies |
| 汉语术语词性 POS | n. |
| 汉语术语分词 Segmentation | 三病/ |
| 汉语术语长度 Length | 1 |
| 关联术语表达 Association | 画论 |
| 搭配信息 Collocation | |
| 编纂人 Compiler | 胡莉 |
| 编纂日期 Date of Compilation | 2016-07-23 00:00:00 |
汉英语境1
英译术语:
Three-Imperfection
汉语语境:
三病，中国古代画论术语。意即指绘画中所存在的三种通病。北宋郭若虚《论用笔得失》一文中称“画有三病，皆系用笔，所谓三者一曰版，二曰刻，三曰结。版者腕弱笔痴，全云取与，状物平褊，不能圆混也；刻者运笔中疑，心手相戾，勾画之际，妄生圭角也；结者欲行不行，当散不散，似物凝碍，不能畅也。”
英语语境:
The Three-Imperfection, as a term in Chinese ancient drawing criticism, refers to three usual drawing defects mentioned and explained in “Gain and Loss in Drawing” by Guo Ruoxu. The first is feebleness, resulting in drawing dull and awkward; the second is irresolution, causing unnecessary trails; the third is stagnation, blocking natural drawing move. The key to all the three is the use of writing brush.