术语“堂鼓”的详细信息

英译术语:

a barrel-shaped drum

汉语语境:

堂鼓，又称“同鼓”。它是一种打击乐器。鼓框木制，圆形，腹阔，两端稍窄，两面蒙牛皮。演奏时，用小环、钩将鼓悬挂木架上，双木槌敲击。从鼓心到鼓边可以发出不同的音高。鼓心的音较低沉，鼓边的音则较高，音量能从很弱到很强。形制大小不一。常用于民间器乐合奏、秧歌及戏曲音乐。也用于民族管弦乐队中。近年已制成能调节音高的堂鼓。

英语语境:

A barrel-shaped drum is also known as “Tonggu”. It is a percussion instrument. The drum is round, with wood-made frame and broad belly. Its two sides are slightly narrow and covered by cowhide. When the barrel-shaped drum is played, it is hung in the wooden beams with small rings and hooks, people beating the drum with double-mallet. From the center to the edges of the drum, it can make different pitches. The sound of its center is relatively low and deep, while that of the edges is relatively high. The volume of the sounds can vary from very weak to very strong. The barrel-shaped drum, with different shapes and sizes, is often used in the folk music instrumental ensemble, yangko dance and opera music. It is also used in the national orchestra. In recent years, the barrel-shaped drum being able to adjust pitches has been made.

英译术语:

tang drum

汉语语境:

鼓在中国北方、在蒙古高原至少有8000年历史。在中国150多种各类鼓中,内蒙古地区有40多种。有匈奴鼓、契丹鼓、树鼓、倍鼓、堂鼓、腰鼓、渔鼓、萨满鼓、八角鼓、镗姆布勒、扁鼓、拨浪鼓等。其用途或用于联络、征战、围猎,或用于祭礼、葬礼、萨满,或用于震慑、娱乐。

英语语境:

In the north of China and Mongolia Plateau, drums have had at least 8000-year history. There are over 40 kinds of drums in Inner Mongolia area among 150 kinds of drums in China. They are Hun drum, Khitan rum, tree drum, Bei drum, tang drum, waist drum, fishing drum, Shaman drum, drum with 8 angles, tangmubule, bian drum and bolang drum. Their main usage includes communication, war, hunting, memorial ceremony, funeral and Shamanism as well as awe and entertainment.

英译术语:

Chinese bass drum

汉语语境:

研究者通过运用比较法对中国打击乐器——堂鼓与西方交响乐团打击乐器——小军鼓的演奏技法进行研究分析。然后就小军鼓和中国大堂鼓在演奏上的共性与个性进行对比。同时,通过对小军鼓单手演奏技法的研究, 最终将单手演奏技术运用在中国打击乐器上。

英语语境:

Researchers study and analyze the playing methods between a Chinese percussion instrument——Chinese bass drum and a western Percussion instrument——snare drum by comparing them. Then they compare the commonness and individuality on performance of playing Chinese bass drum and snare drum. Simultaneously, according to research on the skills of one-handed beating for snare drum, these skills have finally been learnt and applied in the Chinese percussion instrument.