术语“舞台调度”的详细信息
| 数据项 Items | 术语信息 Info. |
|---|---|
| 汉语术语编号 Term No. | 76000784 |
| 所属学科 Subject | 艺术学 Art Studies |
| 汉语术语词性 POS | n. |
| 汉语术语分词 Segmentation | 舞台/调度/ |
| 汉语术语长度 Length | 2 |
| 关联术语表达 Association | |
| 搭配信息 Collocation | |
| 编纂人 Compiler | 李涛 |
| 编纂日期 Date of Compilation | 2016-01-22 00:00:00 |
汉英语境1
英译术语:
stage scheduling
汉语语境:
20世纪6 0年代， 盖叫天先生根据自己七十余年的舞台实践总结出一条艺术创造规律: 戏曲是走的艺术。他在实验话剧院协助话剧《桃花扇》的排练中， 有选择地运用这一规律， 将比较刻板僵化的舞台调度人物之间的关系， 改变得活泛生动， 收效显著。艺术实践证明， 这条规律带有普遍性， 不仅适用于戏曲 (含传统戏和现代戏)， 而且也适用于话剧。
英语语境:
In 1960s, based on his stage experiences more than 70 years, Gai Jiaotian concluded a law of artistic creation: drama is an art of walking. When he assisted the rehearsal of the drama "the Peach Blossom Fan" in the Experimental Modern Drama Troupe, he selectively applied the law, and thus vitalized the relationship among the characters which was adjusted originally by relatively rigid and inflexible stage scheduling; therefore, he achieved a good effect. Artistic practices proved that the law is universally applicable both in Chinese traditional operas (including traditional operas and modern operas) and in dramas.