术语“襄阳小曲”的详细信息
| 数据项 Items | 术语信息 Info. |
|---|---|
| 汉语术语编号 Term No. | 76000819 |
| 所属学科 Subject | 艺术学 Art Studies |
| 汉语术语词性 POS | n. |
| 汉语术语分词 Segmentation | 襄阳/小曲/ |
| 汉语术语长度 Length | 2 |
| 关联术语表达 Association | 湖北小曲 |
| 搭配信息 Collocation | |
| 编纂人 Compiler | 卜云峰 |
| 编纂日期 Date of Compilation | 2015-07-17 00:00:00 |
汉英语境1
英译术语:
Xiangyang ditty
汉语语境:
襄阳小曲流行于湖北襄樊、襄阳、宜城、枣阳、南漳等地，约有150多年的历史。据艺人的师承关系推算，在清朝同治年间即已形成。1930年前后，是襄阳小曲的兴盛时期。襄阳小曲传统的演唱方式为一人自拉二胡自唱。早期也有合班子演唱的，叫做“搭伙”。有两人对唱，一人操琴，一人打板(或敲碟子)；三人演唱，则一人操琴，一人打板，一人敲碟子。若有更多人“搭伙”则增加月琴、琵琶等乐器。因为“搭伙”人数多，收入则要相对减少，因此人数不会太多。
英语语境:
Popular in Xiangfan, Xiangyang, Yicheng, Zaoyang and Nanzhang, etc in the Hubei province, Xiangyang ditty is assumed to begin in the Tongzhi period in the Qing dynasty with a history of over 150 years according to apprentices'memory and prevails during the 1930s. Traditional singing mode is one performer playing the string instrument erhu while singing. In the early days, if two singers play together, one is for playing the string instrument, one for striking the plate or beating the board; if three, one is for playing the string instrument, one for striking the plate, one for beating the board; if more, yukin, pipa, and the like are added. More people means less income, so it is necessary to limit member number.