术语“葫芦瓶”的详细信息

英译术语:

double-gourd vase

汉语语境:

明清时期是葫芦瓶较为流行的两个时期。明代御窑厂的建立，使景德镇成为全国瓷器的烧造中心。全国优秀的工匠集中到一起，为陶瓷产业的蓬勃发展奠定了基础，使明、清两代瓷器的工艺水平不断提高，品种不断丰富。在元代的基础上，明、清两代葫芦瓶的品种和样式更加丰富，按照装饰技法可将明清葫芦瓶分为釉下彩、釉上彩及单色釉三大类。

英语语境:

Double-gourd vases were quite popular in Ming and Qing Dynasties. The establishment of Ming court imperial kiln had boosted the development of ceramics industry and made Jingdezhen become the manufacturing center of porcelain. Besides, that the excellent craftsmen across the country gathered together also laid a solid foundation for Jingdezhen's ceramics industry, which had continuously improved the processing level in Ming and Qing periods and enriched the varieties of the products. Compared with Yuan Dynasty, the varieties and styles of double-gourd vases in Ming and Qing Dynasties were more abundant, which, according to decoration techniques, can be classified into three types: underglaze colour, overglaze color, and single colour glaze.

英译术语:

gourd-shaped vase

汉语语境:

在葫芦瓶的装饰纹样上，明代葫芦瓶浓郁雅致，装饰形式大气，追求意境之美；清代葫芦瓶以写实为主，意境通俗，多吉祥主题。明清两个时期葫芦瓶的不同艺术风格与社会背景及皇帝喜好有很大的联系，明代的葫芦瓶所承载的宗教文化更多，部分葫芦瓶用于祭器，代表对得道成仙、长生不死的向往。而清代葫芦瓶兴盛的原因则注重于吉祥文化上，表达世代绵延、长寿富贵的美好追求。

英语语境:

The decoration patterns of gourd-shaped vases in Ming Dynasty differed from those in Qing Dynasties. Specifically, the former laid more emphasis on an exquisite refinement with deluxe decorations while the latter mainly focused on a realistic and plain style with an auspicious theme. Different artistic styles of gourd-shaped vases in Ming and Qing Dynasties were closely related to the social background and emperor’s taste. Gourd-shaped vases in Ming Dynasty were invested with more religious culture since some were used as sacrificial utensils which represented people’s longing for being immortal. Otherwise, the prevalence of Gourd-shaped vases in Qing Dynasty was related to people’s yearning for propitious culture and its forms of expression in longevity and prosperity.