术语“角抵”的详细信息
| 数据项 Items | 术语信息 Info. |
|---|---|
| 汉语术语编号 Term No. | 78000238 |
| 所属学科 Subject | 考古学 Archaeology |
| 汉语术语词性 POS | n. |
| 汉语术语分词 Segmentation | 角抵/ |
| 汉语术语长度 Length | 1 |
| 关联术语表达 Association | 相扑（晋代角抵出现的另一名称） 摔跤（俗称，明代以后，相扑多用摔跤这一名称） 角力 相搏 斗力（秦汉时期） |
| 搭配信息 Collocation | 角抵戏Jiao-Di opera |
| 编纂人 Compiler | 王成礼 |
| 编纂日期 Date of Compilation | 2016-03-10 00:00:00 |
汉英语境1
英译术语:
wrestling
汉语语境:
在数量众多的南阳汉画像石中，角抵图像占据了重要位置，可分为人与兽斗、兽与兽斗、人与人相搏三种形式。汉代工匠艺人观察细微，善于选取典型动作和捕捉最精彩瞬间，使稍纵即逝的生动角抵戏表演完美体现，充分显示了我国古代的能工巧匠不局限于复制自然，而是更倾向于采用形象记忆和默写的方法进行艺术表现。
英语语境:
Among many of the Han Dynasty stone relieves in Nanyang, the images of Jiao-Di wrestling play an important role, which can be classified into three forms: the wrestling between man and beast, the wrestling between beast and beast, and the wrestling between man and man. The craftsmen in the Han Dynasty, with their sharp observation, were good at selecting typical motions and capturing great moments, which had perfectly reflected the transient Jiao-Di Opera, fully revealed that the craftsmen in the ancient times tended to express their artistic ideas by means of visualizing and recreating the images from memory, instead of limiting to the mere copying of nature.