术语“柳叶描”的详细信息

英译术语:

willow-leaf line

汉语语境:

在中国历史文化的背景下，敦煌处于一个中国与西方诸国文化交流与互动的特殊位置，不断促进了敦煌壁画艺术的繁荣。唐代敦煌壁画则集中体现了敦煌艺术的精髓：其语言紧紧围绕宗教宣扬的题材，用唐代特有的语言风格来描绘唐代佛教的主流信仰；其人物画的风格特征大都是直接对当时人物进行写生并且十分注意个性的刻画；山水的风格特征则是体现在青绿山水的表现，并且能在平面的画面中，描绘出接近三维空间的特有的图像结构。此外，其线描多用“兰叶描”、“柳叶描”、“蚂蝗描”，用色则多表现在红、蓝、绿、棕、白矿物质颜料的运用。

英语语境:

Under the Chinese historical and cultural background, Dunhuang occupied a special position in promoting Sino-western culture exchanges and the prosperity of Dunhuang mural art. Dunhuang frescoes in Tang were the centralized reflection of the essence of Dunhuang art: its language closely revolved around religious themes and described the popular belief of Tang Buddhism in a unique language style of that time; its figure paintings mostly and directly sketched from characters of that time and attached much importance to the revelation of personality; its landscape paintings were characterized by the prominence of blue and green colours and can capture the essence of unique image structure of 3-D space in the two-dimensional paintings. Besides, its line drawings preferred to adopt pandan-leaf line, willow-leaf line and leech-like line while its coloring techniques mainly represented the integrated application of red, blue, green, brown and white mineral pigments.