术语“题跋”的详细信息

英译术语:

inscriptive writing

汉语语境:

题跋起源于汉魏晋六朝，在宋代全面昌盛起来，逐渐从不受重视的短章小品发展成为长短不一、包罗万象的一种文体。体式上，它属于它没有固定的体式，于短小篇幅内自由评说；风格上，它通俗易懂、风趣幽默，符合大部分读者的审美趣味。纵观题跋整个发展过程，苏轼的创作无疑代表了题跋的最高成就，通过苏轼的题跋人们常常能获得非常珍贵的资料，如苏轼的思想情感、文艺理论、民情风俗，甚至是被人忽略的政治、文化现象，故研究苏轼的题跋具有十分重要的意义。

英语语境:

Inscriptive writing originated in Han, Wei and Six Dynasties and flourished in Song Dynasty, which gradually developed from an undervalued genre of short miscellanea articles to an all-embracing splendid genre of prose. It has no fixed genre, which allows the author to comment freely in short length. Besides, it is free in discourse type and reads easily and humorously, which caters to most readers'aesthetic taste. In the progress of inscriptive writing, it is certain that Su Shi's miscellanea articles represented the highest achievement, since people can often get fairly valuable information through Su Shi's inscriptive writings, such as Su Shi's thoughts and feelings, literary theory, folk customs, and even neglected political or cultural phenomenon. Therefore, the study of Su Shi's inscriptive writings is of great value.

英译术语:

preface and postscript

汉语语境:

大型官刻法帖的出现都有一定的历史和文化背景。《三希堂法帖》的问世不仅与清代前期诸帝注重汉文化的传统相系，同时，乾隆内府丰富的法书收藏以及清代前期朝野上下刻帖之风的兴盛也是其刊刻的原因所在。在法帖的编刻方面，较之以往官刻帖多有创新：打破以往官刻帖中首称历代帝王书迹的形式，首次于官刻帖中体现“钟、王”书统。其依内府著录法书之等次选帖，选帖亦与乾隆皇帝书法之审美旨趣及清代前期书法时尚关系密切。《三希堂法帖》亦将题跋及印章选刻入帖。

英语语境:

The emergence of a series of large copybooks for calligraphy carved officially must have its appropriate historical and cultural background. On the one hand, there must be relationship between the compilation of Sanxitang copybook for calligraphy and the attention paid by early emperors of Qing Dynasty to the traditional Chinese culture. On the other hand, an important reason lies in rich painting collections in the storage of Qianlong government and the prevalence of calligraphy compilation and engraving, officially and privately in the early Qing Dynasty. Compared with the previous official compilation, this edition is more innovative. Unlike previous copybooks for calligraphy engraved officially, which accord great importance to emperors\' calligraphies, it introduces Zhong Yao\'s calligraphy work firstly, and then Wang Xizhi\'s. Therefore, it is the first official copybook for calligraphy that made true of the Zhong and Wang\'s orthodoxy. Carefully chosen manuscripts from the storage of Qianlong government were adopted in the copybook. The selection was related to grade of the calligraphy storage, the emporers' aesthetic tastes and the fashion on calligraphy in early Qing Dynasty. Prefaces and postscripts and signets were adopted in the copybook, too.