术语“凸版印刷”的详细信息

英译术语:

letterpress

汉语语境:

在凸版印刷和照相制版的时代，许多最常用的字体都包含一种叫做“特排字体”的变体。设计特排字体，是为了在大尺寸（一般在36pt或更大）下获得最佳的显示效果，通常是用于报纸的大标题或是书籍的封面。特排字体的主要特征是，没有“油墨陷阱”——在字母笔画接合部的向内的小凹陷。在小字号印刷时，这样的凹陷有助于收纳凸版印刷时候多余的油墨，在保持字体原有外观设计意图的同时，为印刷提供一些回旋余地。

英语语境:

In the days of letterpress and phototypesetting, many of the most-commonly used typefaces were available in a "display face" variation. Display faces were created for best appearance at large "display" sizes (typically 36 points or larger) as might be used for a major headline in a newspaper or on the cover of a book. The main distinctive feature of a display face was the lack of "ink traps," small indentations at the junctions of letter strokes. In smaller point sizes, these ink traps were intended to plug up when the letterpress was over-inked, providing some latitude in press operation while maintaining the intended appearance of the type design.

英译术语:

letterpress printing

汉语语境:

凸版印刷有悠久的历史。中国活字印刷术是世界最早的四大发明之一，曾经推动我国创造了悠久的历史文化与文明，也对世界的印刷业发展作出了积极贡献。凸版印刷的工作原理比较简单，手工雕版和版画复制印刷是最早的凸版制作工艺，这样的印刷品传承了近千年。

英语语境:

Letterpress printing has a long history. China's movable type printing is one of the earliest inventions of the world. It has promoted China's long history, culture and civilization, and made positive contributions to the development of the printing industry in the world. The working principle of letterpress printing is relatively simple. Hand-carved engraving and printmaking are the earliest letterpress production process, which have been inherited for nearly a thousand years.

英译术语:

relief printing

汉语语境:

在大字号情况下，油墨陷阱就不是必要的，因此特排字体就没有这样的设计。现今的数字化字体通常都用于平版印刷、电子照排印刷等场合，不会受到凸版印刷供墨不稳定的影响，因而油墨陷阱基本上没有了用武之地。这就是当今数字化排印领域中罕见特排字体的原因，虽然它们在凸版印刷的时代盛行一时。

英语语境:

At larger sizes these ink traps are not necessary, so display faces do not have them. Today's digital typefaces are most often used for offset lithography, electrophotographic printing or other processes that are not subject to the ink supply variations of relief painting, so ink traps have largely disappeared from use. This is why display cases are rarely found in the world of digital typography, whereas they were once common in relief printing.